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I’ll See You On The Dark Side of The Moon: Pink Floyd Wins!

How often do I get to write about music, technology, copyrights, business change, and one of the most successful classic albums of all time, all in one post?

The answer is “Once, So Far . . Now“.

Yesterday, Pink Floyd, the late-sixties-and-later concept rock band that gave us Dark Side of The Moon, the album which holds the all-time record for longest run on the Billboard music charts, beat their record label in a lawsuit that could have a huge impact on the way the music business works. It’s a forced business change that could reverberate throughout the digital music business (are you listening, Apple iTunes?).

Artists have traditionally gotten a pretty bad deal from record labels. Pink Floyd has been around so long that the members have become very rich, but their money comes more from touring, merchandising, and licensing fees than from actual music sales. EMI, the record label Pink Floyd has been with for over thirty years, makes far more money on their music than the boys do.

When digital music came along, record labels either wrote new clauses to existing contracts to cover the sales of the music in new ways or simply kept selling and essentially shoved the same terms for the new medium down the throats of the bands they were in business with. Few bands could afford to fight, but the members of Pink Floyd did.

The point they fought over? It seems Pink Floyd’s albums are specifically designated as works that can’t be split into pieces, making sale of individual songs or even smaller snippets like ring-tones a contractual no-no.

Now make no mistake: the ultimate result will be that Pink Floyd and EMI will negotiate a new contract and both tracks and ring-tones based on them will remain available. And Pink Floyd’s members will make more money than EMI would like—and frankly, EMI probably needs the money more. But in a larger sense the point is that this is a business change that everyone in the music business and ultimately all media businesses will need to deal with.

I’ll See You On The Dark Side Of The Moon.

Update, January 4 2011: Pink Floyd and EMI have kissed and made up. I sure do wonder what’s in the digital rights portion of that contract!

11 Responses to I’ll See You On The Dark Side of The Moon: Pink Floyd Wins!

  1. [...] artists make very little from their music sales. Old, established bands can beat this, and Pink Floyd, for example, slapped their music label around, but good, when business change happened. But for the artist the money in music has always been in concert ticket sales and merchandise.The [...]

  2. [...] (and for our clients) and throughout the digital world. But the music business is still struggling. Pink Floyd has slapped their record label around over who owns digital rights.CDs have become cheaper than legitimate digital downloads. And the record companies’ [...]

  3. [...] of packaging music this way makes that all but impossible. And remember, it was not long ago that EMI screwed things up with Pink Floyd.Now, where did I leave that CD again?Related to This:I’ll See You On The Dark Side of The [...]

  4. [...] lots of money are making or trying to stave off. The Redbox/Blockbuster debacle is one example, and Pink Floyd slapping their record label around in court is another. PressPausePlay is a discussion of the issue from the other side; anyone can create art [...]

  5. [...] Costello states that the pricing has been set by the music label that publishes his work. This is certainly possible; even if he owns the label or part of it there’s a real chance that he has no control over business decisions. There’s a long history in the music business of artists not having control over business and business change issues. Remember when Pink Floyd sued their label? [...]

  6. [...] as gatekeepers for talents like Louis CK, and musical acts like … even dinosaurs such as Pink Floyd … are over. Of course, it helps if you have  nearly 1 million Twitter followers, like Louis [...]

  7. [...] with there being very little reason for music labels to exist, and the tension between music labels and musicians having escalated to new levels because of digital med…, NEil Young has recast the [...]

  8. [...] your lips moving, but I can’t hear a word you’re saying”. I’m not sure if Pink Floyd‘s Roger Waters had the same meaning in mind when he wrote the words Your Lips Move, But I [...]

  9. [...] Pink Floyd Slapped Their Record Company Around [...]

  10. [...] Contracts can change if new ideas are introduced. Sometimes, what you think is real is just . . . different, and what’s different is hard to account for. Just ask Mark Cuban. [...]

  11. [...] can’t overstate the business change this represents. Not Since Pink Floyd beat their record label in a legal battle has a media entity scored such large a victory over “the man”. But whereas Pink Floyd [...]

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